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Through his collaborations with such various artists as Richard Leacock, Shirley Clarke, Norman Mailer, and Jean-Luc Godard, Pennebaker has continually reworked and redefined the forms of documentary filmmaking. This book also includes a recent interview with the director and a full filmography.
6 days ago · In the early sixties, Pennebaker teamed up with Richard Leacock, which was a turning point in his career. Together, they left Drew Associates and formed Leacock Pennebaker Inc. in 1963. This collaboration was highly productive and pivotal. Their use of lightweight, portable cameras and synchronized sound recording was revolutionary at the time.
Produced by Robert Drew and shot by Richard Leacock, D. A. Pennebaker, Terence Macartney-Filgate, and Albert Maysles, the film was a breakthrough in documentary film style.
Jun 4, 2012 · Pennebaker and Leacock left Drew Associates in June 1963 and started their own company, Leacock Pennebaker Inc., which lasted until the early 1970s, and was arguably one of the most productive periods of Pennebaker's life. Clearly the relationship with Leacock had a freeing effect on how Pennebaker approached filmmaking.
Mar 25, 2011 · Mr. Leacock went on to make many films with Mr. Drew and, after teaming up with Mr. Pennebaker, collaborated on several slice-of-American-life documentaries and “Monterey Pop,” an enormously ...
Aug 3, 2019 · In the early 1960s, Pennebaker and Leacock developed the first fully portable 16mm synchronized camera and sound recording systems, and in 1964, they formed Leacock Pennebaker Inc.
Pennebaker and Leacock shared office space and talked often about trying to make films in a new way: more real and less stilted. Pennebaker, trained as an engineer, was a genius at figuring out how to make balky, bloated equipment work for the purposes of making shooting more portable, so the camera and sound recorder could follow a character moving through a story.
