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Doo-Wops & Hooligans is the debut studio album by American singer-songwriter Bruno Mars. It was released on October 4, 2010, by Atlantic and Elektra Records and was made available to listen before its official release on September 24, 2010.
Bruno Mars. POP · 2010. Bruno Mars is a musical renaissance man with an ear for current trends and fluent in old-school methods of songwriting and production. “Just the Way You Are”, “Talking to the Moon” and “Our First Time” are suave slices of R&B/pop with finely-honed hooks. Stretching out further, he dives into a ’60s-style ...
Mars’ nostalgic streak—the Hawaii native grew up playing oldies, after all—is yet another key flavor in Doo-Wops & Hooligans. But instead of taking center stage, as it would on 2012’s Unorthodox Jukebox (an album that unfolds like a turbo-charged crash course in pop-music appreciation 101), Mars deploys his love of vintage sounds ...
Heading into Unorthodox Jukebox, Bruno Mars was already launching a total takeover of the pop planet. As a member of The Smeezingtons—a writing-production trio that also included Philip Lawrence and Ari Levine—Mars played a crucial role in the 2010 successes of CeeLo Green’s “Fuck You,” Travie McCoy’s “Billionaire,” and B.o.B.’s “Nothin’ on You.”
Heading into Unorthodox Jukebox, Bruno Mars was already launching a total takeover of the pop planet. As a member of The Smeezingtons—a writing-production trio that also included Philip Lawrence and Ari Levine—Mars played a crucial role in the 2010 successes of CeeLo Green’s “Fuck You,” Travie McCoy’s “Billionaire,” and B.o.B.’s “Nothin’ on You.”
Heading into Unorthodox Jukebox, Bruno Mars was already launching a total takeover of the pop planet. As a member of The Smeezingtons—a writing-production trio that also included Philip Lawrence and Ari Levine—Mars played a crucial role in the 2010 successes of CeeLo Green’s “Fuck You”, Travie McCoy’s “Billionaire” and B.o.B.’s “Nothin’ on You”.
Mars’ nostalgic streak—the Hawaii native grew up playing oldies, after all—is yet another key flavour in Doo-Wops & Hooligans. But instead of taking centre stage, as it would on 2012’s Unorthodox Jukebox (an album that unfolds like a turbo-charged crash course in pop-music appreciation 101), Mars deploys his love of vintage sounds ...
