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David Kellogg was born in 1952. He is a director and producer, known for Inspector Gadget (1999), Cool as Ice (1991) and Playboy: Farmer's Daughters (1986). He is married to Denise Kellogg.
Dec 28, 2010 · “I actually think I’m a hedgehog who looks like a fox.” This is how David Kellogg described himself, drawing from the analogy made by British philosopher Isaiah Berlin in his essay, The Hedgehog and the Fox.
Inspector Gadget is a 1999 American superhero comedy film directed by David Kellogg and written by Kerry Ehrin and Zak Penn from a story by Ehrin and Dana Olsen.
David Kellogg. Assistant Professor of English Education, Sangmyung University. Verified email at smu.ac.kr. cultural-historical psychology systemic-functional linguistics child development....
Pages in category "Films directed by David Kellogg". The following 2 pages are in this category, out of 2 total. This list may not reflect recent changes .
David Kellogg (born 1952) is an American film, commercial, and music video director. Kellogg has gained prominence for dozens of television spots that he has created for clients such as Pepsi, Fuji, AT&T, Sprite, Coke, Nike, Apple, IBM, MCI, United Airlines, and Mercedes Benz.
David Kellogg was born in 1952. He is a director and producer, known for Inspector Gadget (1999), Cool as Ice (1991) and Playboy: Farmer's Daughters (1986). He is married to Denise Kellogg.
Oct 18, 1991 · Cool as Ice: Directed by David Kellogg. With Naomi Campbell, Vanilla Ice, Deezer D, Kevin Hicks. A rapper gets stuck in a small town and falls for a local girl whose family is in witness protection.
Critics: director, producer. 72 years biography, photo, best movies and TV shows, awards, news, birthday and age. «Ford: Wedding» (2011), «Verizon: Blades of Glory» (2011), «Hertz: Spy» (2007), «State Farm: Ficus» (2007), «Budweiser: Genie» (2007)...
☉ David Kellogg. Coastal Carolina University. Abstract: A 1942 meeting of T.S. Eliot in a BBC recording studio with George Orwell, alongside several Caribbean and British Indian writers of color, suggests a multicultural vision of high modernism that never quite happened.
