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  1. en.wikipedia.org › wiki › Tadashi_ImaiTadashi Imai - Wikipedia

    Tadashi Imai (今井正, Imai Tadashi, January 8, 1912 – November 22, 1991) was a Japanese film director known for social realist filmmaking informed by a left-wing perspective. [2] His most noted films include An Inlet of Muddy Water (1953) and Bushido, Samurai Saga (1963).

  2. www.imdb.com › name › nm0408033Tadashi Imai - IMDb

    Tadashi Imai (1912-1991) was a social realist filmmaker who depicted the hardships of the poor and the Samurai honor code. He directed 46 films, including Rice, Night Drum, and Bushido, and won 32 awards.

    • January 1, 1
    • Tokyo, Japan
    • January 1, 1
    • Tokyo, Japan
  3. Apr 1, 2024 · Greetings from the New President (Representative Director, President and COO Tadashi Imai) Apr. 1, 2024. Nippon Steel Corporation. The Nippon Steel Group will seize global growth opportunities, become a pioneer in decarbonization, and take a giant step forward as the “Best Steelmaker with World-leading Capabilities.”. 1.

  4. Tadashi Imai - Director. Nationality: Japanese. Born: Tokyo, 8 January 1912. Education: Tokyo Imperial University, until 1935. Family: Married in 1934 and 1955.

  5. May 11, 2018 · Tadashi Imai (1912-1991) was one of Japan's most prolific and controversial 20th-century film directors. He infused his staunch left-wing political views into almost all his films, sometimes succeeding in combining masterful art with social criticism, but at other times crafting didactic films that succeeded only as propaganda.

  6. Tadashi Imai began his piano study at the age of 11 under tutorages of Kazuyo Ueda and Mieko Nakagawa in Japan. At the age of 14, he already won the grand prize, yamaha prize and Koichi Nomura (Music Critic) award at the Kamakura sity national music competition in Japan.

  7. Tadashi Imai. Director: Rice. Known for his social realist films, the Japanese director Tadashi Imai was mostly interested in depicting the tragedies of human life. Often described as 'nakanai realism', or 'a realism without tears', Imai's films show the hard struggles of the poor.