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Writer: Ra.One. David Benullo is a multi-produced writer/director who specializes in genre entertainment whose scripts have appeared on the Hit List. As a director, David's Panic Room-style contained thriller Hostage House premiered on Netflix in July and his latest film, the thriller A Job To Die For, will premiere this spring.
Internationally produced writer/director specializing in genre entertainment. His scripts have appeared on the Hit List and the Nicholls Fellowship. Log into Instagram. 253 Followers, 177 Following, 32 Posts - Belize - See Instagram photos and videos from David Benullo (@davidbenullo)
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Sep 27, 2023 · A Job to Die For: Directed by David Benullo. With Revell Carpenter, Maeve Quinlan, Sarah Voigt, Denver Andre Taylor. A girl lands an assistant job with a major fashion designer, who isn't what everybody thinks she is.
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- Thriller
- David Benullo
- 2023-09-27
Jan 4, 2024 · The David Benullo directorial sheds light on some true-to-life themes of stalking and fake followers, which are supported by an enthralling plot that keeps the viewers on the edge of their seats questioning the authenticity of the story. Dying for Fame is Not Inspired by True Events. No, ‘Dying for Fame’ is not based on a true story.
Jan 4, 2024 · Sartaj Singh. January 4, 2024. ‘Dying for Fame,’ a Lifetime film directed by David Benullo, follows tabloid reporter Anna, whose report on an influencer turns her world upside down. Driven and ambitious, Anna is a professional who values authenticity and accuracy in her work.
Cupid. Shadow Man. Writing. Directing. David Benullo is known as an Second Unit Director, Writer, Director, and Screenplay. Some of his work includes Around the World in 80 Days, Ra.One, 12 Rounds 2: Reloaded, Hallowed Ground, The Zeta Project, Cupid, and Shadow Man.
Aug 6, 2013 · David Benullo. Find on IMDB. Find on Wikipedia. Reviews. Around the World in 80 Days (2004) Roger Ebert. Written by. Blog Posts. Features. Fresh blood: Three Great Directors of Direct-to-Video Action. Steve Erickson | 2013-08-06. The biggest taboo in American cinema may be the direct-to-video (DTV) market.
