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Film Editing - Chris Lebenzon Sound - Kevin O'Connell, Rick Kline, Gregory H. Watkins, William B. Kaplan Sound Effects Editing - George Watters II
The nominees for the 68th Academy Awards were announced on February 13, 1996, at 5:38 a.m. PST (13:38 UTC) at the Samuel Goldwyn Theater by president of the academy, and the music producer Quincy Jones.
Pages in category "Best Sound Editing Academy Award winners" The following 53 pages are in this category, out of 53 total. This list may not reflect recent changes.
The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians.
Feb 5, 2014 · SOUND EFFECTS EDITING. Daylight – Richard L. Anderson, David A. Whittaker Eraser – Alan Robert Murray, Bub Asman The Ghost and the Darkness – Bruce Stambler. VISUAL EFFECTS. Dragonheart – Scott Squires, Phil Tippett, James Straus, Kit West Independence Day – Volker Engel, Douglas Smith, Clay Pinney, Joseph Viskocil
SOUND EDITING. Black Panther – Benjamin A. Burtt, Steve Boeddeker. Bohemian Rhapsody – John Warhurst, Nina Hartstone. First Man – Ai-Ling Lee, Mildred Iatrou Morgan. A Quiet Place – Ethan Van der Ryn, Erik Aadahl. Roma – Sergio Díaz, Skip Lievsay.
The Academy Award for Best Sound Editing is an Academy Award granted yearly to a film exhibiting the finest or most aesthetic sound editing or sound design. The award is usually received by the Supervising Sound Editors of the film, perhaps accompanied by the Sound Designers.
