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Abstract photograms, photomontages composed of fragmented images, the combination of photographs with modern typography and graphic design in posters and magazine pages—all were facets of what artist and theorist László Moholy-Nagy (1895–1946) enthusiastically described as a “new vision” rooted in the technological culture of the ...
With close ties to the Bauhaus (in particular the work of Laszlo Moholy-Nagy) The New Vision aimed to look at the world through the camera lens, using it as a mirror to the reality of the everyday, and also a framing device for the documentary and experimental.
Nov 29, 2019 · New Vision is camera vision but what is selected were a series of fragments that could exist only in a modern city of steel and concert and iron and hard unnatural surfaces, punctuated by the occasional person, reduced to an element of an abstract web of lines and shapes.
The Neues Sehen, also known as New Vision or Neue Optik, was a movement, not specifically restricted to photography, which was developed in the 1920s. The movement was directly related to the principles of the Bauhaus.
Nov 26, 2020 · In the 20s, photographers of the new vision affirmed the primacy of formal research, through graphic experimentations and audacious framing.
Apr 16, 2012 · The shaping of what came to be known as “New Vision” photography bore the obvious influence of “lens-based” and “time-based” works. El Lissitzky best summarized its ethos: “The new world will not need little pictures,” he wrote in The Conquest of Art (1922).
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