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Corinne Pooler is known for Flight of the Phoenix (2004), The Mist (2007) and The Chronicles of Riddick (2004).
- Visual Effects, Art Department
- Corinne Pooler
Corinne Pooler. Visual Effects: Flight of the Phoenix. Corinne Pooler is known for Flight of the Phoenix (2004), Next (2007) and The Chronicles of Riddick (2004).
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- Filming
- The Shot List Grows
- Multiple Shots, Multiple Venders
- Goop and Light Beams
- 100 Shots in Two Months
- Keeping It Real
Filming took place in Morocco and Matera, Italy, the same location used for . Before shooting began, Theresa Ellis Rygiel was brought in to supervise the visual effects. That was March 8, and within four days, Rygiel was on a plane to Italy to stay for eight weeks of filming. "I think a lot of people were wondering why the vfx supervisor was showin...
The vfx were originally scheduled to be done entirely at Hammerhead, but shortly after the rough cut was viewed, the decision was made to increase the scope of the film. The post schedule remained at only two months, with several screening deadlines and a vfx shot list that was expanding from 60 to roughly 200 shots. To meet the demands of the dead...
Digital Dream was one of those vendors, taking 31 shots of mostly set extensions or compositing with 3D tracking. A completely MAC-based company, Digital Dream used PFTrack, Shake, After Effects, Maya and Combustion, and worked on the project for about 10 weeks with a team of 12, finishing up mid-October. Jerry Pooler was Digital Dream's vfx superv...
A live-action newborn was used in the birth scene, and for time and safety reasons, the baby was kept clean. "We wound up with not only an immaculate conception but also an immaculate birth!" said Price. Frantic Films was charged with making the baby "goopier." To accomplish this, they did an extensive 3D tracking, matchmoving a baby model with a r...
In the Bethlehem dusk scene where Mary and Joseph seek shelter, the only buildings were in the foreground, so Hammerhead extended the city and did a sky replacement, working with footage shot with steadicam and no greenscreens. There was extracting in the foreground including detail such as palm trees, and tracking in the background. The foreground...
Hardwicke's goal was to treat this as a realistic depiction of the event, so there were a number of shots showing the planets converging over time. "It's difficult to photograph stars using a motion picture camera with the exposures needed for film, so sky replacements were used to keep the stars consistent while drawing attention to the gradual co...
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Corinne Pooler has 4 production credits. Crew. Credited for Executive Visual Effects Producer in 1 show - Crazy on the Outside. Visual Effects.
