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  1. en.wikipedia.org › wiki › Dick_HuemerDick Huemer - Wikipedia

    Richard Huemer (January 2, 1898 – November 30, 1979) was an American animator in the Golden Age of Animation . Career. While as an artist-illustrator living in the Bronx, New York City, Huemer first began his career in animation at the Raoul Barré cartoon studio in 1916.

  2. www.imdb.com › name › nm0400056Dick Huemer - IMDb

    Dick Huemer was born on 2 January 1898 in New York City, New York, USA. He was a writer and director, known for Fantasia (1940), Dumbo (1941) and Alice in Wonderland (1951). He died on 30 November 1979 in Burbank, California, USA.

    • Writer, Animation Department, Director
    • January 2, 1898
    • Dick Huemer
    • November 30, 1979
  3. d23.com › walt-disney-legend › dick-huemerDick Huemer - D23

    He was a wise and witty man, a droll man who, in a quiet way, pulled rugs from under pompous and false heroes, transformed giants into pygmies and inauspiciously extracted the teeth from snarling paper lions. He was with animation through all its growing pains.

  4. Dick Huemer was born on January 2, 1898 in New York City, New York, USA. He was a writer and director, known for Fantasia (1940), Dumbo (1941) and Alice in Wonderland (1951). He died on November 30, 1979 in Burbank, California, USA.

    • January 2, 1898
    • November 30, 1979
  5. Dick Huemer. Biography. While as an artist-illustrator living in The Bronx, New York, Huemer first began his career in animation at the Raoul Barré cartoon studio in 1916. He joined the Fleischer Studio in 1923 where he developed the Koko the Clown character.

  6. Dick Huemer was an American animator in the Golden Age of Animation. While as an artist-illustrator living in The Bronx, New York, he first began his career in animation at the Raoul Barré cartoon studio in 1916, he joined the Fleischer Studio in 1923 where he developed the Koko clown character...

  7. Aug 12, 2012 · The excerpts of the interview published in Funnyworld focused on Huemers work for the Fleischers, which was a logical editing decision at the time. But UCLA’s website has the complete transcript, and it turns out that Mintz and Scrappy were discussed at considerably greater length.