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  1. Cinematography (Color) - William H. Clothier Film Editing - Stuart Gilmore Music (Music Score of a Dramatic or Comedy Picture) - Dimitri Tiomkin

    • Best Motion Picture
    • Directing
    • Actor
    • Actress
    • Actor in A Supporting Role
    • Actress in A Supporting Role
    • Writing
    • Music
    • Film Editing
    • Cinematography

    Fanny – Joshua Logan The Guns of Navarone – Carl Foreman The Hustler – Robert Rossen Judgment at Nuremberg – Stanley Kramer West Side Story– Robert Wise

    The Guns of Navarone – J. Lee Thompson The Hustler – Robert Rossen Judgment at Nuremberg – Stanley Kramer La Dolce Vita – Federico Fellini West Side Story– Robert Wise, Jerome Robbins

    Charles Boyer – Fanny Paul Newman – The Hustler Maximilian Schell – Judgment at Nuremberg Spencer Tracy – Judgment at Nuremberg Stuart Whitman – The Mark

    Audrey Hepburn – Breakfast at Tiffany’s Piper Laurie – The Hustler Sophia Loren – Two Women Geraldine Page – Summer and Smoke Natalie Wood – Splendor in the Grass

    George Chakiris – West Side Story Montgomery Clift – Judgment at Nuremberg Peter Falk – Pocketful of Miracles Jackie Gleason – The Hustler George C. Scott – The Hustler

    Fay Bainter – The Children’s Hour Judy Garland – Judgment at Nuremberg Lotte Lenya – The Roman Spring of Mrs. Stone Una Merkel – Summer and Smoke Rita Moreno – West Side Story

    Breakfast at Tiffany’s – George Axelrod The Guns of Navarone – Carl Foreman The Hustler – Sidney Carroll, Robert Rossen Judgment at Nuremberg – Abby Mann West Side Story– Ernest Lehman

    “Bachelor In Paradise” – Bachelor in Paradise – Music by Henry Mancini; Lyrics by Mack David “Love Theme From El Cid (The Falcon And The Dove)” – El Cid – Music by Miklos Rozsa; Lyrics by Paul Francis Webster “Moon River” – Breakfast at Tiffany’s – Music by Henry Mancini; Lyrics by Johnny Mercer “Pocketful Of Miracles” – Pocketful of Miracles – Mus...

    Fanny – William H. Reynolds The Guns of Navarone – Alan Osbiston Judgment at Nuremberg – Frederic Knudtson The Parent Trap – Philip W. Anderson West Side Story– Thomas Stanford

    The Absent Minded Professor – Edward Colman The Children’s Hour – Franz F. Planer The Hustler – Eugen Shuftan Judgment at Nuremberg – Ernest Laszlo One, Two, Three– Daniel L. Fapp

  2. The 34th Academy Awards, honoring the best in film for 1961, were held on April 9, 1962, hosted by Bob Hope at the Santa Monica Civic Auditorium in Santa Monica, California . Robert Wise and Jerome Robbins became the first Best Director co-winners for West Side Story.

    Best Motion Picture
    Best Director
    West Side Story – Robert Wise, producer ...
    Robert Wise and Jerome Robbins – West ...
    Maximilian Schell – Judgment at Nuremberg ...
    Sophia Loren – Two Women as Cesira Audrey ...
    George Chakiris – West Side Story as ...
    Rita Moreno – West Side Story as Anita ...
    Splendor in the Grass – William Inge ...
    Judgment at Nuremberg – Abby Mann ...
  3. Apr 19, 2024 · 'Cabaret' CREDIT: Allied Artist. NFS Staff. Apr 19, 2024. Cinematography is a crucial element of filmmaking. It encompasses all the technical aspects of camera work, lighting, color, framing, and movement that create the visual language of a film.

  4. The 33rd Academy Awards, honoring the best in film for 1960, were held on April 17, 1961, hosted by Bob Hope at the Santa Monica Civic Auditorium in Santa Monica, California. This was the first ceremony to be aired on ABC television, which has aired the Academy Awards ever since (except between 1971 and 1975, when they were aired on ...

  5. Best Cinematography, Color: Russell Metty; Best Cinematography, Black & White: Freddie Francis; Best Score Drama or Comedy: Ernest Gold; Best Score Musical: Morris Stoloff, Harry Sukman; Best Song: Manos Hatzidakis (Never on Sunday) Best Art Direction, Color: Alexander Golitzen, Eric Orbom, Russell A. Gausman, Julia Heron

  6. In the 9th through 11th ceremonies (1936–38), a special award was given for color cinematography, and from the 12th to the 39th ceremonies (1939–66), except for the 30th ceremony (1957), separate Academy Awards were given for color and black-and-white cinematography.