1964
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Jerzy Skolimowski (Polish: [ˈjɛʐɨ skɔliˈmɔfskʲi], born 5 May 1938) is a Polish film director, screenwriter, dramatist, actor and painter. Beginning as a screenwriter for Andrzej Wajda 's Innocent Sorcerers (1960), Skolimowski has made more than twenty films since his directorial debut The Menacing Eye (1960).
Jerzy Skolimowski is a Polish director, writer, and actor who has made films in Poland, France, and the UK. He is known for his works such as Deep End, The Shout, Moonlighting, and EO, and has won several awards and nominations.
- January 1, 1
- Lódz, Lódzkie, Poland
Jeremy Irons and Jerzy Skolimowski in Moonlighting (1982)- Sinéad Cusack, Jerzy Skolimowski, and Naomi Watts in Eastern Promises (2007)
- Jerzy Skolimowski
- Agata Buzek, Jerzy Skolimowski, Wojciech Mecwaldowski, Anna Maria Buczek, and Paulina Chapko at an event for 11 Minutes (2015)
- Jerzy Skolimowski at an event for 11 Minutes (2015)
Jerzy Skolimowski (ur. 5 maja 1938 w Łodzi) – polski reżyser, scenarzysta, producent i aktor filmowy, poeta, a także malarz, przedstawiciel trzeciej fali polskiego kina . Karierę filmową rozpoczął jako scenarzysta do filmów Niewinni czarodzieje oraz Nóż w wodzie.
Jan 23, 2023 · The donkey — named “EO”, as in “hee-haw” — is an Everybeast, trotting through a sometimes dangerous world (often steeped in apocalyptic shades of blood red), repeatedly encountering human folly and...
- Jonathan Romney
Apr 12, 2016 · Learn about the strange and wonderful career of Jerzy Skolimowski, a Polish filmmaker who worked in Poland, Britain, the US and beyond. Discover his best films, from the Polish new wave to the British classics Deep End and The Shout.
Feb 2, 2023 · The director of Deep End and Moonlighting talks about his Cannes-winning film, inspired by Bresson's Au hasard Balthazar. He reveals how he captured the donkey's point of view and emotions, and his concern for animal rights.
Dec 14, 2022 · Filmmaker Jerzy Skolimowski had decided some years ago that his next film was going to be about an animal. He and his wife and co-writer, Ewa Piaskowska, had been getting bored of traditional movie structure and dialogue and wanted to do something different.
