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  1. I am a sociologist and political economist, working on diverse topics, including neoliberalism, happiness science, environmental politics and anti-expert politics. What links this work is an interest in the interface of knowledge and power, drawing on the work of Michel Foucault, Luc Boltanski and Max Weber.

    • 020 7717 3376
    • Co-Head of The Department
    • w.davies@gold.ac.uk
  2. March 16, 20241. ‘Left Behind: the failed revolutions of the 2010s’. I discussed my recent article, ‘The 2010s: a decade of revolutionaries without a revolution’, on the New Statesman podcast. Listen on Acastor iTunes. February 7, 20240. ‘Eye-watering taxes are a problem for the Tories – and an even bigger one for Labour’. Comment ...

  3. William Davies (sometimes credited William Davis or Will Davies) is an English screenwriter and producer. He has written and co-written a number of films including Twins (1988), The Real McCoy (1993), [1] the Johnny English franchise (2003-2018), Alien Autopsy (2006), Flushed Away (2006), How to Train Your Dragon (2010), Puss in ...

  4. About – William Davies. I live in London and I am a Professor in Political Economy at Goldsmiths, University of London, where I am also Director of the Political Economy Research Centre. For more on my academic work, see my page at Academia.edu or Google Scholar.

  5. Will and Co-Founder Dave Trumbull launched Car Next Door in 2013 and by 2020 it had attracted 200,000 members sharing 5,000 cars across Australia. In 2022 Uber acquired Car Next Door with an...

    • 500+
    • Uber Carshare
    • 2.8K
    • Greater Sydney Area
  6. Feb 27, 2022 · In the lecture, Davies explores how the digitisation of our public sphere has made trust harder to establish, as the ideal of “facts” has been challenged by that of “real-time data,” and ...

    • 85 min
    • 568
    • Matrixssdo Departmental
  7. Mar 10, 2020 · Will Davies, the showrunner of The Letter for the King, talks about how he adapted the classic Dutch fantasy novel for a modern audience. He reveals how he modernized the story, worked with cultural consultants, and made the series feel real and relevant.