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Patrick Tam ( Chinese: 譚耀文; born 19 March 1969) is a Hong Kong actor and singer. Career. He first set foot into the entertainment industry after winning the 1988 New Talent Awards in Hong Kong alongside another notable Hong Kong singer, Sammi Cheng who was second runner-up. [1]
Patrick Tam Ka-ming ( Chinese: 譚家明; pinyin: Tán Jiāmíng; born 25 March 1948) is a Hong Kong film director and film editor. He is known as the seminal figure of Hong Kong New Wave [1] Career. Tam directed the 1987 film Final Victory, scripted by Wong Kar-wai.
Jun 2, 2022 · Patrick Tam (left) reprises his role as Big Roller in the prison drama Breakout Brothers 3 (category IIB), directed by Mak Po-hong. Kenny Wong and Justin Cheung co-star....
Actor: Beast Cops. Patrick Tam was born on 19 March 1968 in Hong Kong, China. He is an actor, known for Beast Cops (1998), Born Wild (2001) and The Merger (2015).
PATRICK TAM began first as a TV director. In 1978, he turned to directing features, such as THE SWORD, LOVE MASSACRE, NOMAD, CHERIE, FINAL VICTORY, BURNING SHOW, and MY HEART IS THAT ETERNAL ROSE which earned him the reputation of "The Father of 'La Nouvelle Vague'" in Hong Kong Cinema.
Aug 13, 2023 · Hong Kong New Wave cinema legends Patrick Tam and Ann Hui’s early films Nomad and The Story of Woo Viet are very different; Starring Leslie Cheung, Tam’s film played with genres.
Patrick Tam was born on 25 March 1948 in Hong Kong. He is a director and editor, known for After This Our Exile (2006), Septet: The Story of Hong Kong (2020) and Love Massacre (1981).
Patrick Tam (Chinese: 譚耀文; born 19 March 1969) is a Hong Kong actor and singer.
Patrick Tam Kar-ming is a Hong Kong film director and editor. Part of Hong Kong's New Wave of film directors in the late 1970s and 1980s, Tam's works have enjoyed great acclaim. He is also known as the mentor of Wong Kar-wai, and worked as an editor on Days of Being Wild (including Tony Leung Chiu-Wai's appearance in the last scene) and Ashes ...
Patrick TAM (1948, Hong Kong) is one of the directors from the Hong Kong New Wave, a flourishing period for the Hong Kong film industry during the eighties. Like many other figures from the movement, Tam began his career at Television Broadcast Limited, where he could experiment freely with TV dramas.
