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Popism: The Warhol Sixties is a 1980 memoir by the American artist Andy Warhol. It was first published by Harcourt Brace Jovanovich. The book was co-authored by Warhol's frequent collaborator and long-time friend, Pat Hackett, and covers the years 1960–1969, focusing primarily on Warhol's art and film work.
- Andy Warhol, Pat Hackett
- 1980
Anecdotal, funny, frank, POPism is Warhol’s personal view of the Pop phenomenon in New York in the 1960s and a look back at the relationships that made up the scene at the Factory, including his relationship with Edie Sedgewick, focus of the upcoming film Factory Girl.
- (2.2K)
- Paperback
Sep 5, 2006 · Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol.
- (144)
- Andy Warhol, Pat Hackett
- $13.99
- Warhol, Andy/ Hackett, Pat
There are two meanings listed in OED's entry for the noun popism. See ‘Meaning & use’ for definitions, usage, and quotation evidence. popism has developed meanings and uses in subjects including. visual arts (1980s) popular music (1980s) See meaning & use.
Poptimism (or popism) is the belief that pop music is as worthy of professional critique and interest as rock music. Detractors of poptimism describe it as a counterpart of rockism that unfairly privileges the most famous or best-selling pop, hip hop and R&B acts.
POPism: The Warhol ’60s, by Andy Warhol & Pat Hackett, New York: Harcourt Brace Jovanovich, 1980, 192 pages, 8 illustrations. Andy has done it again. After hitting the top with Pop and movies and socialites and superstars, reinventing art pompier for our time, and defining celebrity once and for all, Warhol, with collaborator Pat Hackett, has ...
A cultural storm swept through the 1960s - Pop Art, Bob Dylan, psychedelia, underground movies - and at its centre sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy.
