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Miguel Picazo de Dios (27 March 1927 – 23 April 2016) was a Spanish film director, screenwriter and actor. He is best known for his first feature film La tía Tula (Aunt Tula) (1964).
Miguel Picazo was born on 27 March 1927 in Cazorla, Jaén, Andalucía, Spain. He was a director and actor, known for Aunt Tula (1964), Oscuros sueños de agosto (1968) and Beyond the Walls (1985). He died on 23 April 2016 in Guarromán, Jaén, Andalucía, Spain.
Miguel Picazo de Dios (Cazorla, Jaén, 27 de marzo de 1927-Guarromán, Jaén, 23 de abril de 2016) fue un cineasta español, director, guionista y actor ocasional. [1]
Miguel Picazo was born on March 27, 1927 in Cazorla, Jaén, Andalucía, Spain. He was a director and actor, known for Aunt Tula (1964), Oscuros sueños de agosto (1968) and Beyond the Walls (1985). He died on April 23, 2016 in Guarromán, Jaén, Andalucía, Spain.
Jun 2, 1977 · Los claros motivos del deseo: Directed by Miguel Picazo. With Cristina Ramón, Emilio Siegrist, Patricia Adriani, María Luisa Ponte. A morbid curiosity leads Andrea and her friends to spy on a couple of young people during their amorous outings.
Miguel Picazo (27 March 1927 – 23 April 2016) was a Spanish movie director, screenwriter and actor. He is best known for directing his first movie La Tía Tula (Aunt Tula) (1964). He was also an actor.
Apr 23, 2016 · Miguel Picazo de Dios was a Spanish film director, screenwriter and actor. He is best known for his first feature film La tía Tula (Aunt Tula) (1964).
director, actor. 89 years (Spain). biography, photo, best movies and TV shows, awards, news, birthday and age, Date of Death. Born in Cazorla (Jaén), Picazo was raise in Guadalajara and studied law. In...
Miguel Picazo started his film career in 1964: "La Tia Tula" turned him into one of the most distinguished directors in the New Spanish Cinema trend. This documentary approaches his work and ...
Jan 15, 2021 · Based on the 1921 short novel by Miguel de Unamuno, Aunt Tula offers a relatively simple dramatic plot, but Picazo’s delicate directing, Aurora Bautista’s utterly believable performance as Tula, and the film’s humble depiction of the rigid customs all familiar in Spanish culture offer a revealing glimpse into Spanish society.
