&ck=0EC3BF90EF08F3C46D0C86868CDAB0C3&idpp=rc&idpview=singleimage&form=rc2idp "Marathon Man (film)1")
&ck=2E09A327C4397A7C7DB44AEC4C4EB5AA&idpp=rc&idpview=singleimage&form=rc2idp "Marathon Man (film)2")
/uPNgubSiri2yvBQRPtP77ViYjN.jpg&q=Marathon%20Man%20(film)&ck=3E300AB29020FE80F603598560500B25&idpp=rc&idpview=singleimage&form=rc2idp "Marathon Man (film)3")
&ck=82FD58625072358ED2529254D2342DA8&idpp=rc&idpview=singleimage&form=rc2idp "Marathon Man (film)4")
Thomas Levy
Search results
Marathon Man is a 1976 American thriller film directed by John Schlesinger. It was adapted by William Goldman from his 1974 novel of the same title and stars Dustin Hoffman, Laurence Olivier, Roy Scheider, William Devane and Marthe Keller.
Oct 8, 1976 · With Dustin Hoffman, Laurence Olivier, Roy Scheider, William Devane. After the shocking murder of his older brother, a New York history student finds himself inexplicably hounded by shadowy government agents on the trail of a Nazi war criminal who is trying to retrieve smuggled diamonds.
- (71K)
- Crime, Drama, Thriller
- John Schlesinger
- 1976-10-08
Thomas "Babe" Levy (Dustin Hoffman) is a Columbia graduate student and long-distance runner who is oblivious to the fact that his older brother, Doc (Roy Scheider), is a government agent chasing...
- (48)
- John Schlesinger
- R
- Dustin Hoffman
One day he gets killed. A man claiming to be one of the brother's fellow operatives comes to Babe and says he needs help in setting a trap. And before Babe quite knows what happens, he's involved in an intrigue so labyrinthine that neither he nor the movie ever quite figures it out.
A graduate student and obsessive runner in New York is drawn into a mysterious plot involving his brother, a member of the secretive Division. William Goldman. Novel, Screenplay.
Summaries. After the shocking murder of his older brother, a New York history student finds himself inexplicably hounded by shadowy government agents on the trail of a Nazi war criminal who is trying to retrieve smuggled diamonds.
Marathon Man is an intelligent and largely satisfying thriller, written by William Goldman from his own novel, directed by John Schlesigner and photographed by Conrad Hall. But the most satisfying element is the work of Olivier, one of the few who turn acting into one of the great humane progressions of Western civilization.
