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  1. The Color of Pomegranates is a 1969 Soviet Armenian art film written and directed by Sergei Parajanov. The film is a poetic treatment of the life of 18th-century Armenian poet and troubadour Sayat-Nova. It has appeared in many polls as one of the greatest films ever made and was hailed as revolutionary by Mikhail Vartanov.

  2. Jan 27, 1982 · The Color of Pomegranates: Directed by Sergei Parajanov. With Sofiko Chiaureli, Melkon Alekyan, Vilen Galstyan, Gogi Gegechkori. The life of the Armenian poet Sayat-Nova, from childhood to death: his spiritual journey, artistic endeavors, and inner conflicts within the cultural and historical context of Armenia.

    • (14K)
    • Biography, Drama, History
    • Sergei Parajanov
    • 1982-01-27
  3. Apr 13, 2020 · This avant-garde film by Armenian director Sergei Parajanov depicts the life of revered the 18th-century Armenian poet and musician Sayat-Nova (Vilen Galstyan).

    • 80 min
    • 65.3K
    • THE CAUCASUS TOURS
  4. This edition features the cut closest to Parajanov’s original vision, in a restoration that brings new life to one of cinema’s most enigmatic meditations on art and beauty.The Color of Pomegranates was restored by The Film Foundation’s World Cinema Project and the Cineteca di Bologna, in association with the National Cinema Centre of ...

  5. May 24, 2018 · “The Color of Pomegranates” is most simply described as a series of tableaus that recount the life of the 18th-century poet and troubadour turned monk who was known as Sayat Nova (a Persian...

  6. Jun 21, 2018 · Sergei Parajanovs 1969 experimental film The Color of Pomegranates, follows the life of the multilingual 18th-century poet Sayat-Nova, but it opens with a disclaimer: it is not concerned with teaching us about the poet’s life, but rather giving us a perspective on how Sayat-Nova personally experienced the world.

  7. May 9, 2018 · Though many of the religious props seen in the film were rare artifacts, Parajanovwhose credit on the film is “author”— added his own personal touches. He designed a number of the costumes, including the green dress worn by the Angel at the film’s conclusion.