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Amarcord (Italian: [amarˈkɔrd]) is a 1973 comedy-drama film directed by Federico Fellini, a semi-autobiographical tale about Titta, an adolescent boy growing up among an eccentric cast of characters in the village of Borgo San Giuliano (situated near the ancient walls of Rimini) in 1930s Fascist Italy.
Sep 19, 1974 · Amarcord: Directed by Federico Fellini. With Pupella Maggio, Armando Brancia, Magali Noël, Ciccio Ingrassia. A series of comedic and nostalgic vignettes set in a 1930s Italian coastal town.
2h 5m. In an Italian seaside town, young Titta (Bruno Zanin) gets into trouble with his friends and watches various local eccentrics as they engage in often absurd behavior. Frequently clashing ...
- (47)
- Comedy, Drama
- R
Jan 4, 2004 · If ever there was a movie made entirely out of nostalgia and joy, by a filmmaker at the heedless height of his powers, that movie is Federico Fellini’s “Amarcord.” The title means “I remember” in the dialect of Rimini, the seaside town of his youth, but these are memories of memories, transformed by affection and fantasy ...
Winner of Fellini’s fourth Academy Award for best foreign-language film, Amarcord remains one of the director’s best-loved creations, beautifully weaving together Giuseppe Rottuno’s colorful cinematography, Danilo Donati’s extravagant costumes and sets, and Nino Rota’s nostalgia-tinged score.
Amarcord is a beautifully nostalgic semi-autobiographical collection of visual poetry swathed in a heart-warming score by Nino Rota, in which Federico Fellini captures his eternal youth.
One year in a small northern Italian coastal town in the late 1930s is presented. The slightly off-kilter cast of characters are affected by time and location, the social mores dictated largely by Catholicism, and the national fervor surrounding Il Duce aka Benito Mussolini and Fascism.
Screenplay, Story. In an Italian seaside town, young Titta gets into trouble with his friends and watches various local eccentrics as they engage in often absurd behavior.
Amarcord is not memory—or if it is, it is false memory—not fragments of what once was but fragments of what is imagined to have been. At times in Amarcord, the characters speak directly to a filmmaker (Fellini?), who appears to record the events and actions in the town.
This carnivalesque portrait of provincial Italy during the fascist period, the most personal film from Federico Fellini, satirizes the director’s youth and turns daily life into a circus of social rituals, adolescent desires, male fantasies, and political subterfuge, all set to Nina Rota’s classic, nostalgia-tinged score.
