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The Confessional is a podcast where people share their stories of shame, secrets, and struggles. Hosted by Nadia Bolz-Weber, a Lutheran pastor and author, the podcast explores themes of faith, identity, and justice.
- Summary
- Structure and Form
- Tone and Mood
- Detailed Analysis
- Similar Poetry
A story of tragedy, love, and betrayal, ‘The Confessional‘ by Robert Browning tells the story of two lovers and a holy man who betrays them. The poem is about a woman who confesses her and her lover’s sins upon the request of a priest who says he will wash their sins away. But, the priest betrays the woman, instead hanging her lover and imprisoning...
‘The Confessional‘ is thirteen stanzas long, each stanza following an AABBCC format, with six lines in each stanza. The poem is a dramatic monologue, a type that often does not consistently have a strict structure across all poets. But, Browning uses the AABBCC structure to keep a steady pacingthroughout the poem, making it read much like a story.
The tone and mood of ‘The Confessional‘ by Robert Browning are essential to the poem’s pacing and readability. Firstly, the pacing is quickened with anger, anticipation, and tension felt throughout different moments of the piece. You see anger at the introduction and conclusion, you feel the suspenseas the readers see the consequences of the woman’...
Stanza One
In stanza one of ‘The Confessional,’ we begin the story with a woman distraught and angered by the church. She says they are liars. She points out all the most notable aspects of the church, including its priests, pope, and saints, as well as their buildings. It’s unknown to the reader why the woman is upset at the church this early in the poem. But, in the last line, it is mentioned that she is possibly locked up, as “I reach the world” infers she is unable to get her words to the outside li...
Stanza Two
The speakernow tries to pull your opinion in her favor. For example, She says you thought priests were just and holy? So did I, but now I am locked up by them. She then describes herself to the reader. First, she states her humanity, then her overwhelming beauty, comparing herself to a lily. It’s important to note that a lily is chosen, as it is a beautiful flower but also very gentle and breakable, unlike a rose which is often used to represent beauty but with the toughness of thorns.
Stanza three
The woman tells her tale of why the church had locked her up and why she was so upset with them. However, she had a lover, and they had a night of sexual pleasure. She says it was passionate, and she uses beautiful language to describe the details. The first line is essential, as the word “had” implies she no longer has this lover for a reason we do not know.
Here are Three poems that you would like if you enjoyed this poem: 1. ‘After Death’ by Christina Rossetti — This is written from the perspectiveof a dead individual and focuses on the themes of death and tragic love. 2. ‘The Dying Christian to His Soul’ by Alexander Pope— This poem is addressed to a dying Christian person, not his body, but to his ...
- Female
- Poetry Analyst
Aug 16, 1996 · Drama Mystery Thriller. The year is 1952, in Québec City, Québec. Rachel (Suzanne Clément), sixteen, unmarried, and pregnant, works in the church. Filled with shame, she unburdens her guilt to a young Priest under the confidentiality of the confessional.
- (1.6K)
- Drama, Mystery, Thriller
- Robert Lepage
- 1996-08-16
Forget the selfies and social media updates of everyone at their best, three-time New York Times best-selling author Nadia Bolz-Weber’s new podcast, The Confessional, invites guests to share stories about times they were at their worst.
Feb 4, 2021 · The Confessional. In a warm and hilarious interview, Stephen Mangan offers new insights into one of our finest actors. David Tennant confesses three guilty secrets.
Dec 11, 2022 · The Confessional. In a warm and irreverent interview series, Stephen Mangan offers insights into a well known guest. He asks them to reveal three guilty secrets inside his virtual confessional...
The Confessional. Stephen Mangan interviews actor David Tennant about his guiltiest memories.
