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The Hand in the Trap (Spanish: La mano en la trampa) is a 1961 Argentine film directed by Leopoldo Torre Nilsson and starring Francisco Rabal, Elsa Daniel and Leonardo Favio. It was entered into the 1961 Cannes Film Festival, where it won the FIPRESCI Prize.
The Hand in the Trap: Directed by Leopoldo Torre Nilsson. With Elsa Daniel, Francisco Rabal, Leonardo Favio, María Rosa Gallo. A woman uncovers the secret of her aunt's withdrawal from the world and arranges a confrontation with the man who jilted her.
- (257)
- Drama
- Leopoldo Torre Nilsson
- 1961-06-08
- Kuriboh
- Chronograph Sorcerer
- Tragoedia
- Honest
- Dimension Shifter
- Gorz The Emissary of Darkness
- Battle Fader
- Red Reboot
- Effect Veiler
- Artifact Lancea
Ah, the original hand trap that came before hand traps were even a thing in Yu-Gi-Oh! As one of the signature cards of the King of Games, Kuriboh is a classic card that deserves a mention at least for being the first ever hand trap in the game. If Kuriboh is in your hand while you take damage, you can discard it to make any battle damage you take d...
Pendulum decks have a soft spot in my heart: When I was reintroduced to the game after a long hiatus, I started with a Performapal deck that later became an Odd-Eyes Magician deck. This hand trap does wonders for Pendulum decks, especially Pendulum Magicians. You can special summon this card when one of your own cards is destroyed, alongside anothe...
There’s something about level 10 monsters that just screams power, and this guy is no exception. When you take battle damage, you can special summon Tragoedia for free! You can then use his second effect to take control of an opponent’s monster, provided you have a monster in your hand with the same level. And this ability doesn’t just last until t...
Back in the GX era, this card was the definition of meta. Honest came out in Light of Destruction, the set that introduced Lightsworns. Lightsworns were one of the first proper archetypes in Yu-Gi-Oh! (at least, one of the first ones that was any good… Sorry Elemental HEROs). And as the name suggests, this archetype consisted of light monsters. Lig...
A Macro Cosmos, but in monster form. This card stops your opponent from using their graveyard, banishing anything that would go there. Dimension Shifter great at stopping your opponent from getting any effects that trigger when cards hit the graveyard, like Absorouter Dragon, or from using cards like Foolish Burial to stack up their combo pieces re...
Another oldie but goldie, as Gorz completely changed how players thought about the battle phase. If you take battle damage while your field is empty, you can special summon Gorz alongside a token with stats equal to the damage you took. This card saw loads of play at the start of the Link era once people realized how good generating tokens was for ...
Battle Fader is great when you’ve lost momentum in the duel. If your board is empty and your opponent has you right on the ropes, this card stops them in their tracks. More specifically, if you’ve got nothing out, this hand trap ends the battle phase immediately andleaves you with a monster to defend with! Then you could either use this monster as ...
This is one of two hand traps in our list that’s actually a trap card. Red Reboot lets you negate an opponent’s trap card, at the cost of them getting to set a trap from their deck. And you can pay half your life points to play it right from your hand, meaning you don’t have to risk it getting destroyed. Although half of your life points sounds cos...
Monster effects are getting progressively more powerful as Yu-Gi-Oh! develops. And as they do, it gets more and more important to have monster effect negation. Effect Veiler negates your opponent’s monster effect until the end of the turn. Although most monster effects in the current meta game are on a once-per-turn basis, there are some powerful m...
Artifacts are a really unique archetype that blend the line between monsters and spells (and not in the pendulum way either). You can set them as if they’re spell cards, and get various effects from them. However, it’s Artifact Lancea’s hand effect that’s the most interesting thing here. You can tribute it from your hand to prevent any card getting...
Beneath its controlled, serene surface, The Hand in the Trap oozes sexual frustration, revealing both the decay caused by fear of desire, and the trap that can be triggered when desire is embraced.
- (335)
- Producciones Ángel, Uninci
- Leopoldo Torre Nilsson
Winner of the International Federation of Film Critics Prize at the Cannes Film Festival in 1961, La mano en la trampa (The Hand in the The psychological coming-of-age films that Argentine director Leopoldo Torre Nilsson made in the late '50s and early '60s with his demure and distant blonde cinematic muse, Elsa Daniel, constitute…
Young Laura, home from boarding school, is determined to finally get a glimpse of the half-brother who's been confined upstairs for twenty years but when she does, she discovers a completely different relative under lock and key and, as her aunt tells her, "it's bad enough you went snooping around but now you've gone and put your hand in the ...
In The Hand in the Trap, one of the director’s most successful works, Elsa Daniel uncovers the secret of her aunt’s withdrawal from the world and arranges a confrontation with the man who jilted her.
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