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  1. Princess Tatiana Desirée von Fürstenberg (Tatiana Desirée Prinzessin zu Fürstenberg; born February 16, 1971) is an American art curator, singer-songwriter, actress, philanthropist, and filmmaker.

  2. Tatiana von Fürstenberg was born on 16 February 1971 in New York City, New York, USA. She is a producer and actress, known for Bram Stoker's Dracula (1992), Tanner Hall (2009) and Tyrolean Riviera (2010). She was previously married to Russell Steinberg.

  3. Tatiana von Fürstenberg was born on February 16, 1971 in New York City, New York, USA. She is a producer and actress, known for Bram Stoker's Dracula (1992), Tanner Hall (2009) and Tyrolean Riviera (2010). She was previously married to Russell Steinberg.

  4. Nov 7, 2016 · “On the Inside,” curated by Tatiana von Fürstenberg, was a labor of love intended to empower one of society’s most marginalized communities.

  5. Nov 7, 2016 · Dressed in loosefitting pants, a military jacket and black-and-cream heels, her hair curly and buoyant, Tatiana von Furstenberg walked languidly through an exhibition at Abrons Arts Center on...

  6. Sep 14, 2011 · In discussing her film “Tanner Hall,” which opened on Friday, Tatiana Von Furstenberg fairly boasted that she has something of her mother’s “capacity for executive decision making.”

  7. Nov 6, 2016 · Around these images are printed the writings of the prisoners who created the art sent in letters alongside their works to exhibition curator Tatiana von Fürstenberg (full disclosure: she is the daughter of Diane von Fürstenberg, who is married to Barry Diller, chairman of IAC, which owns the Daily Beast).

  8. Tatiana von Fürstenberg is known as an Actor, Writer, Producer, Executive Producer, and Director. Some of her work includes Bram Stoker's Dracula, Light Sleeper, Sex, and Tependris Rising.

  9. Explore the filmography of Tatiana von Furstenberg on Rotten Tomatoes! Discover ratings, reviews, and more. Click for details!

  10. Nov 11, 2016 · Curated by Tatiana von Fürstenberg (yes, the daughter of designer Diane von Fürstenberg), the exhibition is an essential reminder that art can be harnessed for activism. Many shows claim to make the invisible visible, but rarely does the work come from the silenced populations themselves.