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Matthew Barney (born March 25, 1967) is an American contemporary artist and film director who works in the fields of sculpture, film, photography and drawing. His works explore connections among geography, biology, geology and mythology as well as notable themes of sex, intercourse, and conflict.
Matthew Barney
Matthew Barney creates films based on performance and body art, most notably in his Drawing Restraint series and the five-film Cremaster Cycle.
Matthew Barney (born March 25, 1967) is an American contemporary artist and film director who works in the fields of sculpture, film, photography and drawing. His works explore connections among geography, biology, geology and mythology as well as notable themes of sex, intercourse, and conflict.
Apr 26, 2024 · Matthew Barney (born March 25, 1967, San Francisco, California, U.S.) is an American sculptor and video artist whose five-part Cremaster film cycle was praised for its inventiveness. Some art critics consider him one of the most significant artists of his generation.
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Matthew Barney (born March 25, 1967) is an American contemporary artist and film director who works in the fields of sculpture, film, photography and drawing. His works explore connections among geography, biology, geology and mythology as well as themes of conflict and failure.
View Matthew Barney’s 577 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available photographs, prints and multiples, and sculpture for sale and learn about the artist.
May 15, 2024 · In May and June, Matthew Barney, the visionary artist behind the epic “Cremaster Cycle” film series (1994-2002) and “River of Fundament” (2014), will be showing his newest body of work,...
Guggenheim Museum - Matthew Barney. Matthew Barney's epic Cremaster cycle (1994–2002) is a self-enclosed aesthetic system consisting of five feature-length films that explore processes of creation.
Matthew Barney is arguably the artist of the 1990s who most profoundly changed the language of sculpture. He achieved this through the introduction of new materials, from petroleum jelly to gym equipment, the conflation of media and narrative structures, and his enigmatic biological fictions that are at once hilarious and monstrous.
