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Michael Winterbottom (born 29 March 1961) is an English film director. He began his career working in British television before moving into features. Three of his films—Welcome to Sarajevo, Wonderland and 24 Hour Party People—have competed for the Palme d'Or at the Cannes Film Festival. [1]
Michael Winterbottom. Director: A Mighty Heart. Michael took an English degree at Oxford then trained in film at Bristol and London breaking into television via the cutting room at Thames Television.
Aug 30, 2023 · EXCLUSIVE: Four years after his last full-length feature — the black comedy Greed, starring Steve Coogan as a venal business tycoon — Michael Winterbottom is back, this time with a political...
Michael Winterbottom. Director: A Mighty Heart. Michael took an English degree at Oxford then trained in film at Bristol and London breaking into television via the cutting room at Thames Television.
Michael Winterbottom is a prolific English filmmaker who has directed seventeen feature films in the past fifteen years. He began his career working in British television before moving into features. Three of his films — Welcome to Sarajevo, Wonderland and 24 Hour Party People — have been nominated for the Palme d'Or at the Cannes Film ...
Sep 13, 2023 · Director: Michael Winterbottom. Screenwriters: Michael Winterbottom, Laurence Coriat, Paul Viragh. 1 hour 59 minutes. The film gives her the job, assisted by reams of subtitled text and snippets...
Feb 10, 2020 · A beginner’s path through the genre-hopping cinema of Britain's mercurial master, Michael Winterbottom.
A talented and intelligent British filmmaker of intense and often introspective relationship dramas, Michael Winterbottom has displayed a wide array of diverse film projects that...
To invoke that old cliché, if there's one constant in Michael Winterbottom's filmography, it's change. The British director has put together one of the most diverse bodies of work in modern film,...
Sep 20, 2022 · Michael Winterbottom on Boris Johnson, Covid-19 and his new TV series This England. The director explains why he wanted to make something about the pandemic “now, as soon as possible after it happened”.
