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Post-rock is a subgenre of experimental rock characterized by the exploration of textures and timbres as well as non-rock styles, often without vocals, placing less emphasis on conventional song structures or riffs than on atmosphere for musically evocative purposes.
- Godspeed You! Black Emperor – F # A # ¥ (1997) The Canadian collective’s debut long-player – pronounced “F Sharp, A Sharp, Infinity” – is an eminently quotable treatise on taking rock music elsewhere, anywhere, but where it’s allowed to feel comfortable.
- Rachel’s – Selenography (1999) Kentucky’s Rachel’s saw their final album, 2003’s Systems/Layers, mined for cinematic use, most prominently in the Will Smith movie Hancock.
- 65daysofstatic – We Were Exploding Anyway (2010) Sheffield foursome 65daysofstatic have been mixing dance beats with intense riffs and devastating live drums since day one.
- Mogwai – Young Team (1997) A debut album every bit as exhilarating as Godspeed’s, albeit charged with a more pronounced positivity and optimism that may be a product of the musicians’ age at the time – ostensible frontman Stuart Braithwaite was 21 at release – Young Team ripples with inspiration that surpasses its on-sleeve influences.
- Bark Psychosis. Hex. (Circa, 1994) It seems fitting that our number one album should be Hex, the record which, as legend has it, was the first to be described as “post-rock”, in a review by journalist Simon Reynolds.
- Slint. Spiderland. (Touch And Go, 1991) Slint released the now-iconic Spiderland in 1991 while still a bunch of Kentucky nobodies. People couldn’t find out anything about them: by the time the album was released the band had split ways, meaning no interviews, and at a time where there was of course no internet for online sleuthing.
- Tortoise. Millions Now Living Will Never Die. (Thrill Jockey, 1996) With seven albums recorded over a 26-year career, Tortoise are practically establishment figures.
- Talk Talk. Laughing Stock. (Verve Records, 1991) Talk Talk spent the late ‘80s spending EMI’s money on the perverse dismantling of their glossy avant-pop formula, which had delivered them huge, and somewhat unlikely, commercial success earlier in the decade (who else on this list has written anything remotely as catchy as ‘It’s My Life’?).
Jun 14, 2021 · Beginning in the mid-1990s, a number of indie rock bands moved beyond traditional blues-based guitar riffs and introduced a new subgenre known as post-rock.
A selection of popular and influential singles, EPs, and albums in the post-rock genre, including Talk Talk, Tortoise, American Football, Mogwai, and Sigur Rós releases rated highly by the Rate Your Music / Sonemic community with member reviews.
Now, with the everpresent ‘death of rock’ on everyone’s lips, post-rock feels more vital than ever as a means of forging a new path in the landscape of rock n’ roll. Whether you accept the term or not, here are 10 of the most groundbreaking post-rock albums all time.
The greatest Post-Rock albums of all time, as voted by RYM/Sonemic users.
