Yahoo Web Search

Search results

  1. Progressive music - Wikipedia. Bandleader Stan Kenton coined "progressive jazz" for his complex, loud, and brassy approach to big band jazz that conveyed an association with art music. [1] Progressive music is music that attempts to expand existing stylistic boundaries associated with specific genres of music. [2] .

  2. Progressive Jazz is a term coined by Stan Kenton to refer to a type of experimental and somewhat dissonant big-band jazz music of the 1950s. The music was characterized by complex, loud, and brassy voicings with arrangements -- often titled "fugue" or "elegy" -- that convey an association with art music.

  3. Progressive Jazz is a term coined by Stan Kenton to refer to a type of experimental and somewhat dissonant big-band jazz music of the 1950s. The music was characterized by complex, loud, and brassy voicings with arrangements -- often titled "fugue" or "elegy" -- that convey an association with art music.

  4. The term itself "progressive jazz" began to surface in the 1940s. A post-war subgenre of this music was called "cool jazz" in that period, which was a more laid back presentation than the vibrant sounds of traditional jazz. Progressive jazz in general broke away from established idioms of jazz.

  5. About Current Jazz. Current Jazz is the place to be if you want to discover the most modern and cutting-edge sounds of jazz. You will listen to the best artists of today, who deliver fresh and original jazz tunes, with a wide and inventive range of styles that mirror the changing face of contemporary jazz.

  6. Progressive Jazz is a term coined by Stan Kenton to refer to a type of experimental and somewhat dissonant big-band jazz music of the 1950s. The music was characterized by complex, loud, and brassy voicings with arrangements -- often titled "fugue" or "elegy" -- that convey an association with art music. Progressive Jazz Artist Highlights.

  7. progressive jazz. music. Learn about this topic in these articles: contribution by Kenton. Kenton was responsible for the “progressive jazz” label that some mistake for all modern jazz and some use to identify all Kenton-linked jazz.