2018
Search results
Colin Vaines is a British film and Emmy-winning television producer whose credits include The Unforgivable, starring Sandra Bullock, Film Stars Don't Die in Liverpool, Gangs of New York, Coriolanus, The Young Victoria, and The Rum Diary.
Colin Vaines is known for The Unforgivable (2021), Coriolanus (2011) and The Young Victoria (2009).
May 12, 2015 · Colin left Screen to run the UK’s National Film Development Fund and went on to senior executive roles at Columbia Pictures, Miramax Films, The Weinstein Company and Graham...
Feb 18, 2023 · Explore deeper insights and industry stories in Part II of Colin Vaines' engaging interview series as he shares his experiences as a renowned producer.
Feb 17, 2023 · Colin Vaines discusses the role of Producer, his own career path and where the centre of the industry is today. Later, in Part III, we will hear about investment in film, what Producers get out of it and the trends being pursued by large Private Equity investors today.
Colin Vaines is known as an Executive Producer, Producer, Co-Executive Producer, Actor, Production Consultant, and Co-Producer. Some of their work includes Gangs of New York, The Unforgivable, My Week with Marilyn, The Rum Diary, London Boulevard, Miss Potter, Coriolanus, and W.E..
Colin Vaines is a British film and Emmy-winning television producer whose credits include The Unforgivable, starring Sandra Bullock, Film Stars Don't Die in Liverpool, Gangs of New York, Coriolanus, The Young Victoria, and The Rum Diary.
Colin Vaines is known for The Unforgivable (2021), Coriolanus (2011) and The Young Victoria (2009).
Colin Vaines has had an incredible career in film, encompassing five decades. Beginning his career as a journalist, he transitioned into running the National Film Development Fund in the UK, being a consultant for British Screen, and developing and producing films for Harvey Weinstein, Graham King and David Puttnam, before becoming an ...
Colin Vaines Began his career in the film industry in 1977 as a journalist with the trade paper Screen International. In 1984, he left journalism to run the UK’s National Film Development Fund, and act as consultant to parent body British Screen Finance.
