Roy Pulsifer
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R.I.P.D.: Rest in Peace Department, or simply R.I.P.D., is a 2013 American supernatural action comedy film starring Jeff Bridges and Ryan Reynolds. The film was directed by Robert Schwentke and written by Phil Hay and Matt Manfredi based on the 1999 comic book R.I.P.D. by Peter M. Lenkov.
R.I.P.D.: Directed by Robert Schwentke. With Jeff Bridges, Ryan Reynolds, Kevin Bacon, Mary-Louise Parker. In the afterlife, Nick Walker, a detective who used to work for the Boston Police Department, is hired by a director of a group of deceased police officers to fight against the renegade ghosts.
R.I.P.D. Trailer 2013 - official RIPD movie trailer in HD - starring Jeff Bridges, Ryan Reynolds, Mary-Louise Parker - directed by Robert Schwentke - based o...
Veteran lawman Roy Pulsifer (Jeff Bridges) works for the R.I.P.D., a legendary police force charged with finding monstrous spirits who are disguised as ordinary people but are trying to...
- (105)
- Action, Comedy, Fantasy
- PG-13
Jeff Bridges and Ryan Reynolds headline this supernatural 3D action-adventure as two cops dispatched by the Rest In Peace Department (R.I.P.D.) to protect an...
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Jeff Bridges and Ryan Reynolds headline this supernatural action-adventure as two cops dispatched by the Rest In Peace Department (R.I.P.D.) to protect and serve the living from increasingly destructive spirits hiding among the unsuspecting on Earth.
Nick agrees to join R.I.P.D. for a century, after Proctor explains that it would stave off a potentially negative final judgment, and meets his new partner Roy Pulsipher (Jeff Bridges) - a crusty ex-U.S. Marshal who lived in the 1800s.
Veteran lawman Roy Pulsifer (Jeff Bridges) works for the R.I.P.D., a legendary police force charged with finding monstrous spirits who are disguised as ordinary people but are trying to avoid their final judgment by hiding out among the living.
Jul 19, 2013 · “R.I.P.D.” is mostly loud and graceless, despite some arresting hyperbolic visuals that deserve an action film of actual soul and purpose. It’s simply too generic at heart to justify director Schwentke’s delirious, sidewinding, arcing, snap-zooming and whip-panning anti-gravity camerawork.
