![7th Voyage of Sinbad [Original Soundtrack]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7 "7th Voyage of Sinbad [Original Soundtrack]")
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Bernard Herrmann (born Maximillian Herman; June 29, 1911 – December 24, 1975) was an American composer and conductor [1] best known for his work in composing for films. As a conductor, he championed the music of lesser-known composers. He is widely regarded as one of the greatest film composers. [2]
- Bernard Herrmann - Simple English Wikipedia, the free encyclopedia
Bernard Herrmann (born Maximillian Herman; June 29, 1911 –...
- Bernard Herrmann - Simple English Wikipedia, the free encyclopedia
May 1, 2024 · Bernard Herrmann (born June 29, 1911, New York, N.Y., U.S.—died Dec. 24, 1975, Los Angeles, Calif.) was an American composer and conductor, widely recognized for his film scores. His music for Psycho (1960) has remained a paragon of suspense-film sound tracks.
- The Editors of Encyclopaedia Britannica
Bernard Herrmann: the iconic film composer who formed a dream team with Alfred Hitchcock - Classical Music. Complex and irascible, Bernard Herrmann was plagued by career frustrations, but remains one of cinema’s most iconic musical voices.
Wuthering Heights is the sole opera written by Bernard Herrmann. He worked on it from 1943 to 1951. It is cast in a prologue, 4 acts, and an epilogue that repeats the music of the prologue. [1] The opera was recorded in full by the composer in 1966, but it had to wait until April 2011, the centenary of the composer's birth, for a ...
Bernard Herrmann (born Maximillian Herman; June 29, 1911 – December 24, 1975) was an American composer and conductor best known for his work in composing for films. As a conductor, he championed the music of lesser-known composers. He is widely regarded as one of the greatest film composers.
May 18, 2018 · Bernard Herrmann is considered by some music critics to be the most important film composer in the history of the medium. For more than three and a half decades, he crafted scores that integrated music with the action of a movie, thereby making background tracks more than just an auditory diversion.
