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His most recent book is Richard Prince Cowboy (2020). He also curated the exhibitions Richard Prince: American Prayer (2011), and Avedon's France: Old World, New Look (2017), both at the Bibliothèque nationale de France, as well as Walkers: Hollywood Afterlives in Art and Artifact (2015) at the Museum of the Moving Image.
- interviews
Virtual Lecture: Robert Rubin and Erin McGuirl at the...
- writing
The Gunfighter’s Never Ending Tour. Bob Dylan: Mixing Up The...
- interviews
Virtual Lecture: Robert Rubin and Erin McGuirl at the Grolier Club "Collectors are Born, Not Made" Arterritory “Richard Prince: This Ain’t No Retrospective, It’s a Rodeo” New York Times
Jan 13, 2017 · Robert Melvin Rubin, a former commodities trader and owner of said club—The Bridge, a stunning, pricey, pale-green playfield down the street from Shinnecock Hills—has no such problem.
The Gunfighter’s Never Ending Tour. Bob Dylan: Mixing Up The Medicine, Callaway, 2024. 00:00. 01:02. Vanishing Point Forever. "A 1970 Dodge Challenger with a white paint job, that's Kiowalski in Vanishing Point ... mate, it's a fucking classic... just one of the best American movies ever made."
Rubin explores how Calder created his own environments in France and America, using found and recovered objects, and integrating art and life. He traces Calder's interventions in the landscape, from his studio and house in Saché to his sculpture in Roxbury.
Robert M. Rubin is an essayist and cultural historian who has written about Pierre Chareau, Jean Prouvé, Alexander Calder, Buckminster Fuller, Reyner Banham, Richard Avedon, Allen Ginsberg, Glenn O’Brien, Jack Kerouac, Jeff Koons, and Richard Prince.