Yahoo Web Search

Search results

  1. Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. [1]

  2. Avant garde music: what it is and some famous examples of avant garde music - Classical Music.

    • Captain Beefheart – Trout Mask Replica (1969) The granddaddy of all avant-garde, Captain Beefheart’s 1969 masterpiece demolished the walls of music convention with its unorthodox complexity.
    • John Zorn – Naked City (1990) The graphic cover photo which presents a man violently shot dead on a sidewalk closely mirrors the passion with which John Zorn approaches this set.
    • Moondog – Moondog (1969) Louis Thomas Hardin Jr. was, for many years, one of the most eccentric vagrants lining the Manhattan sidewalks. Few New Yorkers knew, however, that when they flipped a coin to the “Viking of Sixth Avenue” they were giving to a man who had overcome insurmountable odds – blindness and homelessness – to become one of the 20th Century’s most gifted yet under-appreciated musicians.
    • The Pop Group – Y (1979) A landmark debut album, The Pop Group defined the fate of post-punk and made future experiments pale in comparison. It’s rare that you run across an album that is a complete singularity.
  3. Jan 15, 2022 · Ranking the best avant-garde albums in order of greatness, from the yearning of Yoko Ono's work to the razor-sharp, hyper-kineticism of Zappa and Eno Music Film

  4. Find Avant-Garde Music Albums, Artists and Songs, and Hand-Picked Top Avant-Garde Music Music on AllMusic

  5. Nov 21, 2023 · Avant-garde music is inherently provocative and political. Composers who were famous in their time for creating provocative music but not historically considered avant-garde, such as Igor...

  6. Avant-garde com­posers of the 20th cen­tu­ry have left a vex­ing lega­cy, begin­ning per­haps with one of the cen­tu­ry’s first min­i­mal­ists, Erik Satie (1866 –1925), whose career illus­trates a cen­tral para­dox of exper­i­men­tal music: it can seem to most of us total­ly inac­ces­si­ble, alien, and frus­trat­ing ...