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The commercially oriented folk-music revival as it existed in coffee houses, concert halls, radio, and TV was predominantly an English-language phenomenon, though many of the major pop-folk groups, such as the Kingston Trio, Peter, Paul and Mary, The Chad Mitchell Trio, The Limeliters, The Brothers Four, The Highwaymen, and others ...
The British folk revival incorporates a number of movements for the collection, preservation and performance of folk music in the United Kingdom and related territories and countries, which had origins as early as the 18th century.
The United States experienced two waves of folk-song revival activity a little more than twenty years apart, between the late 1930s and the early 1960s. In each case, what could be called traditional American music was reinterpreted and transformed with the help of the sort of "urban elite or priviledged class" mentioned by Ralph Rinzler above.
Aug 6, 2018 · Learn about the 1960s American folk music revival, which brought folk singers, songwriters, and bluegrass pickers to the forefront. Discover how the revival was influenced by folklorists, anthologies, and protest songs, and how it spawned folk-rock and influenced contemporary folk music.
- Arlo Guthrie. The son of Woody Guthrie, Arlo grew up in the company of some famous folksingers, including Pete Seeger. He burst onto the scene in 1967 with the release of "Alice's Restaurant."
- Bob Dylan. A Nobel Prize laureate, Dylan is a prolific singer/songwriter who left his mark on the 1960s, including this impressive list of songs: Song to Woody.
- Buffy Sainte-Marie. A Canadian, much of Buffy Sainte-Marie's work both in and out of music focused on helping native peoples of the Americas. "Now That The Buffalo's Gone" is a classic.
- Chad Mitchell Trio. William "Chad" Mitchell, Mike Pugh and Mike Kobluk formed the Chad Mitchell Trio in the late 1950s. Pugh departed the group in 1960 to go back to college and Joe Frazier replaced him.
Probably the most influential and productive of these revivals took place in the early 1960s, about the same time as rock and roll became such a towering force in American music, and to some extent as a reaction to rock’s commercial dominance. Later, of course, musicians would find ways to merge the two strands.
The great folksong revival of the 1940s through 1960s made rural white and African American artists and their music favorites of audiences everywhere.
