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  1. Oct 29, 2023 · "Il bell'Antonio" (aka "Handsome Antonio"), a 1960 Italian-French drama (w/ English subs), featuring Marcello Mastroianni, Claudia Cardinale, Pierre Brasseur, Rina Morelli and Tomas Milian,...

    • 102 min
    • 5.3K
    • The Films of Mauro Bolognini
  2. Il bell'Antonio ("Handsome Antonio") is a 1960 Italian-French drama film directed by Mauro Bolognini and starring Marcello Mastroianni and Claudia Cardinale. [1] It is based on the novel of the same name by Vitaliano Brancati and was adapted for the screen by Pier Paolo Pasolini and Gino Visentini, moving the novel's setting during ...

  3. en.wikipedia.org › wiki › 8½8½ - Wikipedia

    The metafictional narrative centers on Guido Anselmi (Marcello Mastroianni), a famous Italian film director who suffers from stifled creativity as he attempts to direct an epic science fiction film. Claudia Cardinale , Anouk Aimée , Sandra Milo , Rossella Falk , Barbara Steele , and Eddra Gale portray the various women in Guido's life.

  4. Bell' Antonio: Directed by Mauro Bolognini. With Marcello Mastroianni, Claudia Cardinale, Pierre Brasseur, Rina Morelli. A newly wedded and extremely handsome young bourgeois Antonio faces a scandal in a city of Sicily in 1950's when the public and her family hears that his beautiful wife is still "untouched" after their 12-month long marriage.

    • (1.9K)
    • Comedy, Drama
    • Mauro Bolognini
    • 1962-04-02
  5. www.imdb.com › title › tt00568018½ (1963) - IMDb

    8½: Directed by Federico Fellini. With Marcello Mastroianni, Claudia Cardinale, Anouk Aimée, Sandra Milo. A harried movie director retreats into his memories and fantasies.

    • (126K)
    • Drama
    • Federico Fellini
    • 1963-06-24
  6. Trama. Marcello Mastroianni in una scena del film. Il giovane catanese Antonio Magnano torna a casa dei genitori dopo aver studiato e vissuto a Roma. Bello ed elegante, Antonio è assai ambito dalle ragazze; per di più la sua famiglia ha fama di avere componenti molto "virili".

  7. May 28, 2000 · 8 1/2” is the best film ever made about filmmaking. It is told from the director’s point of view, and its hero, Guido (Marcello Mastroianni), is clearly intended to represent Fellini.