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Mar 26, 2016 · To me the 3rd movement, although fabulous sections, even when it is played very well it still sounds muddy and is not among my favorites. Plus, it is a monster to learn from what I understand. If you want to learn it and then keep it in your regular repertoire, would require constant upkeep.
Beethoven's Piano Sonata No. 14 is also called the Moonlight Sonata. The first movement is smooth, like the moonlight in a quiet and clear night; the second movement is vivid, just similar to the moonlight in a night with few clouds and gentle breezes; The last movement, in contrast, is quite strong and violent, it is more like thunders in a ...
Sep 22, 2023 · In Beethoven's Moonlight Sonata 3rd movement, I'd like to understand the Fx (double sharp) in measure 8. Measure 8 has a bass of A and an arpeggio with the notes C# E Fx C# which sounds like an A7, but the Fx can't be the seventh, since otherwise it would have been written as a G. If it's not, it serves a specific purpose that I don't get.
Feb 1, 2015 · but technically i would give this piece 5/10 you can memorize all notes and play at the slow tempo in 5-6 days if you can sight read very well but to play musically it takes a lifetime. of course i take myself as reference its depend on you. every pianist is on different level.
Nov 7, 2023 · Basis for the table. Lebert/von Bülow 1. Schultze 2. Casella 3. Weiner 4. Schenker 5. Schnabel 6. Reimann 7. Riemann’s [1885] editorial decision to begin his trills on the upper note upsets the sentiment that nineteenth century pianists would always start their trills on the main note.
Feb 6, 2021 · This is the case of the "Moonlight" Sonata. While the accompaniment is in triplets throughout, the melody is a "4/4" (actually 2/2) melody. The below image shows the initial entrance of the melody in measured 5-7.
May 22, 2021 · For the alternating bass 8th notes in most of measures 1-20, I would have a little wrist rotation combined with a slight left right motion of the arm so you don’t have to stretch the fingers too much.
Mar 29, 2010 · Whatever tempo you choose though, the key is to try and keep it fairly consistent throughout. Just some examples from the pros: Wilhelm Kempff - Moonlight Sonata Mov. 1 in about 5:40. Claudio Arrau - Moonlight Sonata Mov. 1 in about 6:50. So you see, it sounds different but still good at both tempos.
Mar 25, 2021 · The last two movements of the Moonlight Sonata have the same tonic as the first movement and fit the usual conventions for the last two movements of a 4-movement sonata (triple-meter dance movement in compound ternary form, fast last movement in sonata-allegro, rondo, sonata-rondo, or theme and variations form), thus forcing at least a tonic ...
Nov 12, 2020 · Ties in this style will only ever connect two of the exact same notes, and there will not be any intervening pitches; instead, the tie's purpose is to lengthen the duration of a pitch you are currently playing. This happens in the first half of m. 22; on beat 2, the F-doublesharp is tied into beat 3! A phrasing slur, however, will often connect ...
