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  1. Red Eye is a 2005 American psychological thriller film directed by Wes Craven and written by Carl Ellsworth based on a story by Ellsworth and Dan Foos. It stars Rachel McAdams, Cillian Murphy, and Brian Cox. The story follows a hotel manager ensnared in an assassination plot by a terrorist while aboard a red-eye flight to Miami.

  2. www.imdb.com › title › tt0421239Red Eye (2005) - IMDb

    Red Eye: Directed by Wes Craven. With Rachel McAdams, Cillian Murphy, Brian Cox, Laura Johnson. Lisa on her flight to Miami befriends Jackson who turns out to be a terrorist. Holding her hostage, he forces her to help him assassinate the United States Deputy Secretary of Homeland Security.

    • (147K)
    • Thriller
    • Wes Craven
    • 2005-08-19
  3. On July 16, 1988, a train accident which drives 100 hundred people to death occurs. Without knowing the cause, the case becomes a mystery and soon gets forgotten. After 16 years, a train attendant Mi-sun is on board first time at work. The train leaves its platform as scheduled and rapidly gains the full speed.

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  4. A 2005 Psychological Thriller film directed by Wes Craven, starring Rachel McAdams and Cillian Murphy. Mild-mannered hotel manager Lisa Reisert (McAdams), on her way home from her grandmother's funeral, is seated for an overnight flight next to charming, affable Jackson Rippner (Murphy).

  5. Upon boarding the plane, Lisa is trapped on a red-eye flight with a creepy villainous handsome and charming man by the name of Jackson Rippner, who's playing middle-man in the plot to assassinate a Homeland Security official.

  6. Aug 19, 2005 · A woman is kidnapped by a stranger on a routine flight. Threatened by the potential murder of her father, she is pulled into a plot to assist her captor in offing a politician. Carl Ellsworth. Screenplay, Story.

  7. Aug 18, 2005 · Wes Cravens “Red Eye” is movie that wants to be a good thriller, and moves competently, even relentlessly, toward that goal. It’s helped enormously by Rachel McAdams , whose performance is convincing because she keeps it at ground level; thrillers are invitations to overact, but she remains plausible even when the action ...