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  1. en.wikipedia.org › wiki › Adrian_PangAdrian Pang - Wikipedia

    Adrian Pang Yeow Soon (born 8 January 1966) is a Singaporean actor, host, and contracted artiste under FLY Entertainment. A full-time Mediacorp artiste from 1990 to 2010, Pang first came to prominence in the Singapore television scene with his performances in both English-language and Chinese-language television dramas produced by ...

  2. May 27, 2022 · Staring at Tofu, his white Persian cat resting languorously on a table in front of him, Pang - who founded theatre company Pangdemonium with his theatre director wife Tracie, 53 - is talking...

  3. Adrian Pang. Actor: Spy Game. After graduating from Keele University with a degree in Law and Psychology, Adrian spent the next eight years working as an actor in the UK, where his theatre and television credits include The Magic Fundoshi (Best Comedy at the London Fringe Theatre Awards), The Fragile Heart opposite the late great Sir Nigel ...

  4. www.imdb.com › name › nm0659373Adrian Pang - IMDb

    Adrian Pang. Actor: Spy Game. After graduating from Keele University with a degree in Law and Psychology, Adrian spent the next eight years working as an actor in the UK, where his theatre and television credits include The Magic Fundoshi (Best Comedy at the London Fringe Theatre Awards), The Fragile Heart opposite the late great Sir Nigel ...

    • January 1, 1
    • 2 min
    • Singapore
  5. Dec 2, 2023 · Adrian Pang calls acting “a 40-year-long therapy session”. The actor and artistic director of local theatre company Pangdemonium says he grew up as an “emo kid who grew into an even...

  6. www.tatlerasia.com › people › adrian-pangAdrian Pang | Tatler Asia

    Award-winning actor Adrian Pang is one half of homegrown theatre company, Pangdemonium. Adrian Pang, artistic director and co-founder of Singaporean theatre company Pangdemonium, has more than 25 years of experience performing on both stage and screen in Singapore and the UK.

  7. Nov 10, 2020 · The ongoing pandemic has forced Adrian Pang to reckon with its absence in the theatre scene, and adapt both his work and himself accordingly.