![Assault on Precinct 13 [Original Motion Picture Soundtrack]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7 "Assault on Precinct 13 [Original Motion Picture Soundtrack]")
2003
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Graeme Revell (born 23 October 1955) is a New Zealand musician and composer. He came to prominence in the 1980s as the leader of the industrial rock/electronic rock group SPK. Since the 1990s he has worked primarily as a film score composer. [1]
Graeme Revell. Composer: The Crow. Graeme Revell was born in New Zealand in 1955. He was graduated from The University of Auckland with degrees in economics and politics. He is a classically trained pianist and French horn player. Revell worked for as a regional planner in Australia and Indonesia and as an orderly in an Australian psychiatric ...
Some of Graeme Revell's best film scores. Buy the CD's of Graeme Revell!
Graeme Charles Revell. Profile: Born in Auckland, New Zealand on 23 October 1955, Graeme Revell moved to Australia where he founded the legendary industrial band SPK in 1978. After three records of extreme noise assaults and controversial subjects, SPK turned toward synth-pop, consisting of just Revell and his then wife Sinan Leong.
Graeme Revell. Composer: The Crow. Graeme Revell was born in New Zealand in 1955. He was graduated from The University of Auckland with degrees in economics and politics. He is a classically trained pianist and French horn player. Revell worked for as a regional planner in Australia and Indonesia and as an orderly in an Australian psychiatric ...
Prolific Australian film composer and founding member of the industrial/noise rock band SPK. Read Full Biography. STREAM OR BUY: Active. 1980s - 2020s. Born. October 23, 1955 in Auckland, New Zealand. Genre. Stage & Screen, Vocal, Classical, New Age, Electronic. Styles.
Feb 2, 2014 · Trent Reznor wasn't the first industrial musician to make for Hollywood and do soundtracks - New Zealander Graeme Revell did it twenty-five years ago. We talk to him about his incendiary old group, the realities of film composing, and the strange way things pan out.
