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Maria Kowroski is an American ballet dancer. She was a principal dancer at the New York City Ballet. [1] Kowroski was born in Grand Rapids, Michigan. She started ballet at the age of five. In 1992, she entered the School of American Ballet in New York City. [1]
Don’t miss Maria Kowroski (@realmkowroski) former Principal Dancer with New York City Ballet and current Artistic Director of @njballet now on Conversations on Dance. Maria chats with us about her training, her incredible career, some of her favorite memories onstage, then the opportunity to become Artistic Director of New Jersey Ballet.
Oct 15, 2021 · Maria Kowroski, the reigning principal of New York City Ballet and the last company member to have worked with Jerome Robbins, takes her final bow.
Maria became Artistic Director of New Jersey Ballet in November 2021, and her appointment has seen a new creative energy fuel an artistic renaissance within the institution.
Nov 13, 2022 · After a stunning career on the stage, Maria Kowroski has positioned herself to bring New Jersey Ballet, a regional company located in Florham Park, to heights that closer match the ballet space she once occupied.
May 20, 2016 · The New York City Ballet principal Maria Kowroski loves being a new mother to her son, Dylan. But conditioning herself for a comeback posed challenges.
Nov 20, 2019 · Ballet dancer Maria Kowroski opens up about the impact of motherhood on her career. Here's her touching story.
Sep 29, 2021 · The lead role in this late-career Balanchine work often goes to to the most senior ballerina in the company. Maria Kowroski had to wait her turn, and it was worth it—the musicality of the work gives her space to interpret the steps in a manner that’s both individual and reflective.
Nov 8, 2022 · Former New York City Ballet principal Maria Kowroski is bringing fresh energy to New Jersey Ballet, where she is now artistic director.
Maria Kowroski, the reigning principal of New York City Ballet and the last company member to have worked with Jerome Robbins, takes her final bow. By Gia Kourlas watching and Moving
