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Patrick Tam (Chinese: 譚耀文; born 19 March 1969) is a Hong Kong actor and singer. Career. He first set foot into the entertainment industry after winning the 1988 New Talent Awards in Hong Kong alongside another notable Hong Kong singer, Sammi Cheng who was second runner-up. [1]
Patrick Tam Ka-ming (Chinese: 譚家明; pinyin: Tán Jiāmíng; born 25 March 1948) is a Hong Kong film director and film editor. He is known as the seminal figure of Hong Kong New Wave [1]
Mar 26, 2024 · Profile. Name: 譚耀文 (谭耀文) / Tam Yiu Man (Tan Yao Wen) English name: Patrick Tam. Also known as: 阿譚 (Ah Tam) Profession: Actor and singer. Birthdate: 1969-Mar-19 (age 55) Birthplace: Hong Kong. Height: 180cm. Star sign: Pisces. Chinese zodiac: Rooster. Blood type: O. Family: Wife Fiona (since 2004), son (born 2006), daughter (2011) TV Series.
Patrick Tam was born on 25 March 1948 in Hong Kong. He is a director and editor, known for After This Our Exile (2006), Septet: The Story of Hong Kong (2020) and Love Massacre (1981).
Patrick Tam (Chinese: 譚耀文; born 19 March 1969) is a Hong Kong actor and singer.
PATRICK TAM began first as a TV director. In 1978, he turned to directing features, such as THE SWORD, LOVE MASSACRE, NOMAD, CHERIE, FINAL VICTORY, BURNING SHOW, and MY HEART IS THAT ETERNAL ROSE which earned him the reputation of "The Father of 'La Nouvelle Vague'" in Hong Kong Cinema.
Patrick Tam Yiu-Man has been recognized as a solid character actor in recent years, but his career encountered a few bumps along the way. Born on March 19, 1969, Tam fell in love with performing at a very young age.
Jun 7, 2020 · Hong Kong New Wave film director Patrick Tam made death and despair the swordsman's stock in trade, not restoring honour and order, in 1980’s The Sword, his subverting of the wuxia film genre.
Patrick Tam was born on 19 March 1968 in Hong Kong, China. He is an actor, known for Beast Cops (1998), Born Wild (2001) and Ip Man 3 (2015).
Patrick TAM (1948, Hong Kong) is one of the directors from the Hong Kong New Wave, a flourishing period for the Hong Kong film industry during the eighties. Like many other figures from the movement, Tam began his career at Television Broadcast Limited, where he could experiment freely with TV dramas.
