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  1. Richard Alan Dutcher [1] (born 1964) [2] is an American independent filmmaker who produces, writes, directs, edits, and frequently stars in his films.

  2. Richard Dutcher. Actor: Brigham City. Dutcher's first film was the ultra-low budget student film "Brother John." As a young graduate of film school Dutcher poured everything he had into making his first feature-length film, the romantic comedy "Girl Crazy."

  3. Mar 15, 2022 · Richard Dutcher played “Pops,” the faithful Elder Dalton, who refused to leave his mission. Artists like Richard Dutcher are given special gifts. They are able to synthesize the thoughts, emotions, and feelings of millions in powerful scenes that allow us to feel the urgency and clarity of God’s love for all of us.

  4. American independent filmmaker Richard Dutcher, although still relatively young in his career, is known primarily as the "father of Mormon Cinema." His first widely released theatrical feature, God's Army (2000) , told the story of several Mormon missionaries in Los Angeles.

  5. Feb 7, 2023 · In this episode of Building Bridges with Greg and Jill, our hosts sit with the once-named “Father of Mormon Cinema,” Richard Dutcher. Richard shares his life...

  6. Oct 3, 2010 · Richard Dutcher burst into Mormon cultural consciousness ten years ago with the release of his independent film hit, God’s Army.

  7. May 14, 2013 · Richard Dutcher is one of the most important and accomplished directors that nobody’s heard of. Like many independent filmmakers, Dutcher is a multihyphenate: writer, director, actor, producer, editor.

  8. Mormon filmmaker Richard Dutcher on growing up Mormon, serving a mission, and getting married.Please support Richard Dutcher's new movie, Triptych, by making...

  9. Oct 2, 2010 · Mormon filmmaker Richard Dutcher on growing up his early filmmaking, and the making of his first Mormon-themed movie: God's Army.Please support Richard Dutch...

  10. Richard Dutchers cinema has been a victim of its own success, in part because the films’ specificity of place and unique audience address has solidified into a set of expectations and, for many viewers, a set of prejudices. That Dutcher’s cinema defies expectation and explodes prejudice has, unfortunately, too often been beside the point.