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Richard Hui Koon-ying (3 August 1946 – 8 November 2011) was a Hong Kong actor and singer. He along with his brothers, Michael and Sam, made several comedy blockbusters in the 1970s and 1980s. Biography. Ricky Hui Koon-ying was born 3 August 1946 in Panyu, Guangdong, China. He had four siblings, Samuel, Michael, Stanley and Judy.
Nov 9, 2011 · 9 Nov – Hong Kong comedian Ricky Hui was found dead in his residence in Kowloon, Hong Kong, last night, according to a report by The Daily Chili's website. Ricky, who died due to a suspected...
Ricky Hui was a Hong Kong actor, singer and a correspondent for the French Press Agency (AFP) in Hong Kong. Later, he joined his brothers Michael and Samuel and made the movie "The Private Eyes" in 1976. Ricky often worked with his brothers. He also released seven albums.
YearTitleRoleRating2004Super Model add Hong Kong Movie, 2004, ..."King Model" Support Role6.92000Winner Takes All add Hong Kong Movie, ...[Swindler Wong's brother] Support Role6.61997First Love Unlimited add Hong Kong Movie, ...Uncle Wing Support Role7.81993Laughter of Water Margins add Hong Kong ...Simon Hing Support Role6.7Ricky Hui. Actor: Mr. Vampire. Ricky Hui was born in Panyu, Guangdong, China on August 3, 1946. Ricky and his family moved to Hong Kong in 1950. His father played the violin and his mother loved Cantonese opera, therefore, Ricky and his siblings loved music and acting.
- January 1, 1
- Panyu, Guangdong, China
- January 1, 1
- Kowloon, Hong Kong, China
Nov 9, 2011 · 9 Nov – Hong Kong comedian Ricky Hui was found dead in his residence in Kowloon, Hong Kong, last night, according to a report by The Daily Chili's website.
Nov 9, 2011 · 9 Nov – Hong Kong comedian Ricky Hui was found dead in his residence in Kowloon, Hong Kong, last night, according to a report by The Daily Chili's website. Ricky, who died due to a suspected...
Nov 10, 2011 · Ricky Hui will be remembered fondly as part of the legendary Hui Brothers, but also as a superb comedic actor in his own right. His crumpled face diffidently peering into the camera will be sorely missed yet his place in Hong Kong cinematic history remains assured.