Marcello Rubini
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La dolce vita (Italian: [la ˈdoltʃe ˈviːta]; Italian for 'the sweet life' or 'the good life' [2]) is a 1960 satirical comedy-drama film directed by Federico Fellini. It was written by Fellini, Ennio Flaiano, Tullio Pinelli, and Brunello Rondi.
La Dolce Vita: Directed by Federico Fellini. With Marcello Mastroianni, Anita Ekberg, Anouk Aimée, Yvonne Furneaux. A series of stories following a week in the life of a philandering tabloid journalist living in Rome.
La Dolce Vita, Italian film, released in 1960, that was widely hailed as one of the most important ever made and the first of several acclaimed collaborations between director Federico Fellini and actor Marcello Mastroianni, who came to represent the director’s alter ego.
Jan 5, 1997 · Marcello goes down into subterranean nightclubs, hospital parking lots, the hooker’s hovel and an ancient crypt. And he ascends St. Peter’s dome, climbs to a choir loft, and to the high-rise apartment of Steiner (Alain Cuny), the intellectual who is his hero. He will even fly over Rome.
An epic, breathtakingly stylish cinematic landmark, La Dolce Vita remains riveting. It is a story of love, desire, and the search behind the meaning of it al...
A unique storytelling style that consistently delivers the same message, La Dolce Vita is still relevant for today's society. It is filled with emotions, varieties, and thoughts. Rated 4.5/5...
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La dolce vita. The biggest hit from the most popular Italian filmmaker of all time, La dolce vita rocketed Federico Fellini to international mainstream success—ironically, by offering a damning critique of the culture of stardom.
The biggest hit from the most popular Italian filmmaker of all time, LA DOLCE VITA rocketed Federico Fellini to international mainstream success—ironically, by offering a damning critique of the culture of stardom.
Federico Fellini’s ode to Rome presents a lush, vibrant exterior to the swinging city, before revealing its rotting moral core. Federico Fellini’s epic charts a week in the life of a tabloid journalist (Marcello Mastroianni) as the excesses of modern Roman life go on around him.
In 1959/1960 Rome, Marcello Rubini (Marcello Mastroianni) is a writer and journalist, the worst kind of journalist--a tabloid journalist. His job is to try to catch celebrities in compromising or embarrassing situations.
