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  1. Shigeru Kōyama (神山 繁, Kōyama Shigeru, 16 January 1929 – 3 January 2017) was a Japanese actor.

  2. Shigeru Kôyama was born on 16 January 1929 in Hiroshima, Japan. He was an actor, known for Black Rain (1989), Azumi 2: Death or Love (2005) and Godzilla vs. Destoroyah (1995). He died on 3 January 2017 in Kyoto, Kyoto, Japan.

  3. ja.wikipedia.org › wiki › 神山繁神山繁 - Wikipedia

    広島県 [2] 呉市 出身。 海軍経理学校 卒業 [2]。 文学座 [2] 、 劇団雲 [2] 、 演劇集団 円 [2] を経て、 オフィス佐々木 に所属していた [1]。 元妻は女優の 文野朋子 (1987年 に死別)。 晩年は 京都府 に在住していた。 来歴・人物. 海軍経理学校 時代の神山. 旧制麻布中学校 卒業後、 1945年 4月10日 (火曜日)海軍経理学校第38期に入学 [5] 、戦後 山王ホテル 勤務、 進駐軍 の 通訳 などを経て、 1952年 に 文学座 に演出部研究生として入座 [3]。 後に俳優に転じる。 1956年 、文野と結婚。

  4. Name: Shigeru Koyama. Japanese: 神山繁 (こうやま しげる) Birthdate: January 16, 1929. Birthplace: Hiroshima, Japan. Height: Blood Type:

  5. Feb 1, 2017 · On 3 January Shigeru Koyama passed away due to pneumonia. He created memorable character in Masaki Kobayashi’s Samurai Rebellion (1967) and had a chance to work with Ridley Scott on Black Rain (1989), yet his acting experience is far richer as he worked in theatre, film and TV productions.

  6. Shigeru Kōyama (神山 繁, Kōyama Shigeru, 16 January 1929 – 3 January 2017) was a Japanese actor. He began acting in 1952. He appeared in Samurai Rebellion (1967), Taiyō o Nusunda Otoko (1979) and Beyond Outrage (2010).

  7. Shigeru Kōyama is known as an Actor. Some of his work includes Black Rain, Beyond Outrage, Samurai Rebellion, Kill!, Antarctica, Azumi 2: Death or Love, Zatoichi Meets Yojimbo, and The Man Who Stole the Sun.

  8. Shigeru Kôyama was born on 16 January 1929 in Hiroshima, Japan. He was an actor, known for Black Rain (1989), Azumi 2: Death or Love (2005) and Godzilla vs. Destoroyah (1995). He died on 3 January 2017 in Kyoto, Kyoto, Japan.

  9. Birthday: Jan 16, 1929. Birthplace: Hiroshima, Japan. Highest rated movies. Rebellion. Watchlist. Black Rain. Watchlist. Outrage: Beyond. Watchlist. Explore the filmography of Shigeru Kôyama on...

  10. Available to Watch. THE BLACK REPORT. YASUZÔ MASUMURA Japan, 1963. Dialing up the suspense of the whodunit genre to dizzying levels of baroqueness, Yasuzô Masumura’s chilling crime film invokes the deadly allure of money.